Mapping impressionist painting in transnational contexts / edited by Emily C. Burns and Alice M. Rudy Price.

Format
Book
Language
English
Published/​Created
  • New York : Routledge, Taylor & Francis Group, 2021.
  • ©2021
Description
xv, 240 pages : illustrations ( some color), maps ; 26 cm.

Copies in the Library

Location Call Number Status
Marquand Library - Remote Storage (ReCAP): Marquand Library Use OnlyND192.I4 M29 2021 Browse related items Request

    Details

    Subject(s)
    Editor
    Series
    Routledge research in art history [More in this series]
    Summary note
    "This book offers microhistories related to the transnational circulations of impressionism in the late nineteenth and early twentieth centuries. The contributors rethink the role of "French" impressionism in shaping these iterations by placing France within its global and imperialist context and arguing that impressionisms might be framed through the mobility studies' concept of "constellations of mobility." Artists engaging with impressionism in France, as in other global contexts, relied on, responded to, appropriated and resisted elements of form and content based on fluid and interconnected political realities and market structures. Written by scholars and curators, the chapters demand reconsideration of impressionism as a historical construct and the meanings assigned to that term. This project frames future discussion in art history, cultural studies, and global studies on the politics of appropriating impressionism"-- Provided by publisher.
    Bibliographic references
    Includes bibliographical references and index.
    ISBN
    • 9780367490522 (hardcover)
    • 0367490528 (hardcover)
    LCCN
    2020048073
    OCLC
    1201656075
    Statement on language in description
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