Details

Subject(s)

• Bible plays, American—History and criticism [Browse]
• Theater—Religious aspects [Browse]
• Theater—United States—History [Browse]

Publisher

• Michigan Publishing (University of Michigan) [Browse]

Summary note

Biblical texts have inspired more than 100 Broadway plays and musicals, ranging from early spectacles like Ben-Hur (1899) to more familiar works such as Godspell and Jesus Christ Superstar. What happens when a culture's most sacred text enters its most commercial performance venue? Playing God focuses on eleven successful productions, as well as a few notable flops that highlight the difficulties in adapting the Old and New Testaments for the stage. The book is informed by both performance studies and theater history, combining analysis of play scripts with archival research into the actual circumstances of production and reception. Biblical plays, Henry Bial argues, balance religious and commercial considerations through a complex blend of spectacle, authenticity, sincerity, and irony. Though there is no magic formula for a successful adaptation, these four analytical lenses help explain why some biblical plays thrive while others have not.

Notes

Issued as part of UPCC book collections on Project MUSE.

Bibliographic references

Includes bibliographical references (pages 221-237) and index.

Source of description

Description based on information from the publisher.

Contents

• Faith-based initiatives
• Ben-Hur, Biblical fan fiction
• In the beginning : theatrical creations
• These are the generations of Noah
• Why do the righteous suffer?
• Jesus Christ, Broadway star
• Hard job being God.

Show 4 more Contents items

ISBN

• 0472121510
• 9780472121519

Doi

• 10.3998/mpub.7427158

Statement on language in description

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