Details

Subject(s)

• Art and music [Browse]
• Arts and society—History—20th century [Browse]
• Music in art [Browse]
• Pop art—Themes, motives [Browse]

Series

Routledge research in art history [More in this series]

Summary note

This book offers an innovative and interdisciplinary approach to Pop art scholarship through a recuperation of popular music into art historical understandings of the movement. Jukebox modernism is a procedure by which Pop artists used popular music within their works to disrupt decorous modernism during the sixties. Artists, including Peter Blake, Pauline Boty, James Rosenquist, and Andy Warhol, respond to popular music for reasons such as its emotional connectivity, issues of fandom and identity, and the pleasures and problems of looking and listening to an artwork. When we both look at and listen to Pop art, essential aspects of Pop's history that have been neglected--its sounds, its women, its queerness, and its black subjects--come into focus.

Bibliographic references

Includes bibliographical references and index.

Source of description

Print version record and CIP data provided by publisher.

ISBN

• 0815374208
• 1351187368
• 1351187376
• 1351187384
• 1351187392
• 9780815374206
• 9781351187367 ((mobi))
• 9781351187374 ((epub))
• 9781351187381 ((adobe))
• 9781351187398 ((ebook))

LCCN

2018023131

OCLC

1035811371

Other standard number

• 10.4324/9781351187398

Statement on language in description

Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage. Read more...