LEADER 04083cam a22007217i 4500001 99123737103506421 005 20210329190936.0 006 m o d 007 cr mn |||||a|a 008 130713s2013 nyua ob 001 0 eng d 010 |z2012046125 015 GBB326393 |2bnb 016 7 016303292 |2Uk 019 8557069448896611779601978649682920851081059589108643909311355170631135833564115115140711527338911162554295 020 020312488X |q(electronic bk.) 020 1136447288 020 1136447296 |q(EBL ebk) 020 1299726364 020 9780203124888 |q(electronic bk.) 020 9781136447280 020 9781136447297 |q(EBL ebk) 020 9781299726369 020 |z0415509521 |q(hardback) 020 |z1138216224 |q(paperback) 020 |z9780415509527 |q(hardback) 020 |z9781136447235 |q(Kindle ebook) 020 |z9781136447242 |q(Mobipocket ebook) 020 |z9781136447266 |q(PDF ebook) 020 |z9781136447280 |q(ePub ebook) 020 |z9781138216228 |q(paperback) 035 |9(TAYLORFRANCIS)ocn852758591 035 (OCoLC)852758591 |z(OCoLC)855706944 |z(OCoLC)889661177 |z(OCoLC)960197864 |z(OCoLC)968292085 |z(OCoLC)1081059589 |z(OCoLC)1086439093 |z(OCoLC)1135517063 |z(OCoLC)1135833564 |z(OCoLC)1151151407 |z(OCoLC)1152733891 |z(OCoLC)1162554295 035 (NjP)12373710-princetondb 035 |z(OCoLC)855706944 |z(OCoLC)889661177 |z(OCoLC)960197864 |z(OCoLC)968292085 |z(OCoLC)1081059589 |z(OCoLC)1086439093 |z(OCoLC)1135517063 |z(OCoLC)1135833564 |z(OCoLC)1151151407 |z(OCoLC)1152733891 |z(OCoLC)1162554295 035 |z(NjP)Voyager12373710 037 503887 |bMIL 040 EBLCP |beng |epn |erda |cEBLCP |dIDEBK |dTXA |dREB |dUKDOC |dCUI |dAU@ |dYDXCP |dN$T |dE7B |dCTL |dOCLCQ |dTYFRS |dOCLCF |dNHM |dOCLCQ |dDEBBG |dOCLCQ |dLOA |dOCLCQ |dNJR |dMERUC |dOCLCQ |dOCL |dUUM |dINT |dOCLCQ |dGDC |dUKAHL |dOL$ |dOCLCQ |dLEAUB |dU3W |dK6U |dINARC |dLVT |dVLY |dELBRO 041 7 eng |2iso639-3 050 4 ML3918.P67 |bR68 2013 099 Electronic Resource 245 04 The Routledge history of social protest in popular music / |cedited by Jonathan C. Friedman. 264 1 New York : |bRoutledge, |c2013. 300 1 online resource 336 text |btxt |2rdacontent 337 computer |bc |2rdamedia 338 online resource |bcr |2rdacarrier 347 data file |2rda 490 1 Routledge histories 504 Includes bibliographical references and index. 520 The major objective of this collection of 28 essays is to analyze the trends, musical formats, and rhetorical devices used in popular music to illuminate the human condition. By comparing and contrasting musical offerings in a number of countries and in different contexts from the 19th century until today, The Routledge History of Social Protest in Popular Music aims to be a probing introduction to the history of social protest music, ideal for popular music studies and history and sociology of music courses. 520 The Routledge History of Social Protest in Popular Music provides a sweeping overview of social protest music in diverse collection of twenty eight essays that analyse the trends, musical formats, and rhetorical divides that have been used in popular music to illuminate the human condition. 546 English. 588 0 Online resource; title from e-book title screen (EBL platform, viewed March 31, 2015). 650 0 Popular music |xPolitical aspects. 650 0 Popular music |xSocial aspects. 650 0 Protest movements |xSongs and music. 650 0 Protest songs |xHistory and criticism. 650 7 Popular music |xPolitical aspects. |2fast |0(OCoLC)fst01071452 650 7 Popular music |xSocial aspects. |2fast |0(OCoLC)fst01071460 650 7 Protest movements. |2fast |0(OCoLC)fst01079826 650 7 Protest songs. |2fast |0(OCoLC)fst01079869 655 7 Criticism, interpretation, etc. |2fast |0(OCoLC)fst01411635 655 7 Songs and music. |2fast |0(OCoLC)fst01985328 700 1 Friedman, Jonathan C., |d1966- |eeditor. |0http://id.loc.gov/authorities/names/n97072503 776 08 |iPrint version: |tRoutledge history of social protest in popular music. |dNew York : Routledge, 2013 |z9780415509527 |w(DLC) 2012046125 |w(OCoLC)792877267 830 0 Routledge histories