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008    200520s2020    tnu     ob    000 0 eng^^
010    2020018703
020    0826501230 |qelectronic book
020    0826501249 |qelectronic book
020    9780826501233 |q(electronic bk.)
020    9780826501240 |qelectronic book
020     |z9780826501219 |qpaperback
020     |z9780826501226 |qhardcover
035     |9(JSTORDDA)1161996120
035    (OCoLC)1161996120
035    (NjP)12279249-princetondb
035     |z(NjP)Voyager12279249
037    22573/ctv16gfqfb |bJSTOR
037    793ADA51-B6D9-41CB-B399-D49921AE5372 |bOverDrive, Inc. |nhttp://www.overdrive.com
040    DLC |beng |erda |epn |cDLC |dOCLCO |dOCLCA |dYDX |dP@U |dJSTOR |dYDX |dN$T |dOCLCF |dCBY |dK6U |dOCLCO |dTEFOD
041 1  eng |hspa
050 04 PN149 |b.R58513 2020
082 00 808.02 |223
099    Electronic Resource
100 1  Rivera Garza, Cristina, |d1964- |eauthor. |0http://id.loc.gov/authorities/names/nr94011853
240 10 Muertos indóciles. |lEnglish
245 14 The restless dead : |bnecrowriting and disappropriation / |cCristina Rivera Garza ; translated by Robin Myers.
264  1 Nashville, Tennesse : |bVanderbilt University Press, |c[2020]
300    1 online resource (xi, 178 pages).
336    text |btxt |2rdacontent
337    computer |bc |2rdamedia
338    online resource |bcr |2rdacarrier
490 0  Critical Mexican studies
504    Includes bibliographical references.
520    "Based on comparative readings of contemporary books from Latin America, Spain, and the United States, the essays in this book present a radical critique against strategies of literary appropriation that were once thought of as neutral, and even concomitant, components of the writing process. Debunking the position of the author as the center of analysis, Cristina Rivera Garza argues for the communality-a term used by anthropologist Floriberto Díaz to describe modes of life of Indigenous peoples of Oaxaca based on notions of collaborative labor-permeating all writing processes. Disappropriating is a political operation at the core of projects acknowledging, both at ethical and aesthetic levels, that writers always work with materials that are not their own. Writers borrow from the practitioners of a language, entering in a debt relationship that can only be covered by ushering the text back to the communities from which it grew. In a world rife with violence, where the experiences of many are erased by pillage and extraction, writing among and for the dead is a form of necrowriting that may well become a life-affirming act of decolonization and resistance"-- |cProvided by publisher.
546    Translated from the original Spanish into English.
588    Description based on online resource; title from digital title page (viewed on September 25, 2020).
599    Princeton permanent acquisition.
650  0 Authorship |xSocial aspects.
650  0 Technology |xSocial aspects. |0http://id.loc.gov/authorities/subjects/sh85133169
650  0 Violence. |0http://id.loc.gov/authorities/subjects/sh85143514
650  7 Authorship |xSocial aspects |2fast |0(OCoLC)fst00822471
650  7 Technology |xSocial aspects |2fast |0(OCoLC)fst01145202
650  7 Violence |2fast |0(OCoLC)fst01167224
700 1  Myers, Robin, |d1987- |etranslator. |0http://id.loc.gov/authorities/names/no2017035357
776 08  |iPrint version:Rivera Garza, Cristina, 1964- |tThe restless dead |dNashville : Vanderbilt University Press, [2020] |z9780826501219 |w(DLC)  2020018702
910    JSTOR DDA purchased