Details

Subject(s)

• Epic literature, American—History and criticism [Browse]
• American fiction—20th century—History and criticism [Browse]
• Authenticity (Philosophy) in literature [Browse]
• Literature and society—United States—History—20th century [Browse]

Series

Cambridge studies in American literature and culture ; 182. [More in this series]

Summary note

Counterfeit Culture explores the possibility of writing epic in an age of alternative facts. Examining six attempts to forge an American prose epic since 1960, this study goes on to trace a national tradition of inauthenticity, stretching back across four centuries. In works by authors such as Pynchon, Gaddis and Burroughs, the contemporary turn away from truth and authenticity can be seen as a return to an established line of literary tricksters and confidence men, with tropes of fraud and artifice running deep in the American grain. Combining archival work with historically-inflected analysis of literary narrative, this book ranges through questions of identity, technology, history, and music in its engagement. From Marguerite Young's inquiry into psychological disintegration to William T. Vollmann's ongoing cycle of false histories, the study introduces a new reading of the American epic.

Notes

Title from publisher's bibliographic system (viewed on 28 Jun 2019).

Contents

• Introduction: America and the "Way to the devil"
• Marguerite Young's flood of consciousness
• William Gaddis and the "novel-writing-machine" of Andy Warhol
• "Paper reality": William S. Burroughs and the cut-up method
• "Bad history": Thomas Pynchon and the apocryphal epic
• "History shambles on": William T. Vollmann and the Seven dreams cycle
• Conclusion: "Every story has two tails".

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ISBN

9781108625418 (ebook)

Statement on language in description

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