LEADER 03521pam a2200553 i 4500001 99116784013506421 005 20240502080234.0 008 190125t20192019enka b 001 0 eng^^ 010 2019003348 015 GBB9D3826 |2bnb 016 7 019494637 |2Uk 020 9781107161788 |q(hardback ; |qalk. paper) 020 1107161789 |q(hardback ; |qalk. paper) 020 9781316614075 |q(pbk. ; |qalk. paper) 020 1316614077 |q(pbk. ; |qalk. paper) 020 |z9781108665728 |q(PDF ebook) 035 (NjP)11678401-princetondb 035 |z(NjP)Voyager11678401 035 (OCoLC)on1086547016 040 DLC |beng |erda |cDLC |dOCLCO |dOCLCF |dERASA |dUKMGB |dCDX 042 pcc 050 00 ML3916 |b.C33 2019 082 00 780.9/05 |223 245 04 The Cambridge companion to music in digital culture / |cedited by Nicholas Cook, Monique M. Ingalls, David Trippett. 264 1 Cambridge, United Kingdom : |bCambridge University Press, |c2019. 264 4 |c©2019 300 xiv, 332 pages : |billustrations ; |c26 cm. 336 text |btxt |2rdacontent 337 unmediated |bn |2rdamedia 338 volume |bnc |2rdacarrier 490 1 Cambridge companions to music 504 Includes bibliographical references (pages 298-326) and index. 520 8 The impact of digital technologies on music has been overwhelming: since the commercialisation of these technologies in the early 1980s, both the practice of music and thinking about it have changed almost beyond all recognition. From the rise of digital music making to digital dissemination, these changes have attracted considerable academic attention across disciplines,within, but also beyond, established areas of academic musical research. Through chapters by scholars at the forefront of research and shorter 'personal takes' from knowledgeable practitioners in the field, this Companion brings the relationship between digital technology and musical culture alive by considering both theory and practice. It provides a comprehensive and balanced introduction to the place of music within digital culture as a whole, with recurring themes and topics that include music and the Internet, social networking and participatory culture, music recommendation systems, virtuality, posthumanism, surveillance, copyright, and new business models for music production. 650 0 Music |xSocial aspects. |0http://id.loc.gov/authorities/subjects/sh85088891 650 0 Digital media |xSocial aspects. |0http://id.loc.gov/authorities/subjects/sh2009123379 650 0 Music and the Internet. |0http://id.loc.gov/authorities/subjects/sh2004002303 650 0 Music and technology. |0http://id.loc.gov/authorities/subjects/sh94007386 650 7 Digital media |xSocial aspects. |2fast |0(OCoLC)fst01766776 650 7 Music and technology. |2fast |0(OCoLC)fst01030490 650 7 Music and the Internet. |2fast |0(OCoLC)fst01200152 650 7 Music |xSocial aspects. |2fast |0(OCoLC)fst01030444 700 1 Cook, Nicholas, |d1950- |0http://id.loc.gov/authorities/names/n86050714 700 1 Ingalls, Monique Marie. |0http://id.loc.gov/authorities/names/no2009046216 700 1 Trippett, David, |d1980- |0http://id.loc.gov/authorities/names/n2012054093 830 0 Cambridge companions to music 852 0 |bmus |hML3916 |i.C33 2019 902 yj |bs |6a |7m |dv |f1 |e20191120 904 yj |ba |hm |cb |e20191120 914 (OCoLC)on1086547016 |bOCoLC |cmatch |d20240501 |eprocessed |f1086547016