LEADER 03404cam a22004815i 4500001 99114961043506421 005 20201014163626.0 006 m o d 007 cr mn |||||a|a 008 171026s2017 sz fobd z 0 eng d 020 9783035613292 024 7 10.1515/9783035613292 |2doi 035 |9(DEGRUYTER)9783035613292 035 (OCoLC)1019616950 035 (DE-B1597)9783035613292 035 (NjP)11496104-princetondb 035 |z(NjP)Voyager11496104 040 DE-B1597 |beng |cDE-B1597 |erda 041 0 eng 041 7 eng |2iso639-3 044 sz |cCH 050 4 NA2800 082 04 720.1 |223 090 Electronic Resource 100 1 Fowler, Michael, |eauthor. |0http://id.loc.gov/authorities/names/n77010131 245 10 Architectures of Sound : |bAcoustic Concepts and Parameters for Architectural Design / |cMichael Fowler. 264 1 Basel : |bBirkhäuser, |c[2017] 264 4 |c©2017 300 1 online resource 336 text |btxt |2rdacontent 337 computer |bc |2rdamedia 338 online resource |bcr |2rdacarrier 347 text file |bPDF |2rda 505 00 |tFrontmatter -- |tContents -- |tIntroduction -- |tPrelude -- |tChapter 1: An Architecture Of The Ear -- |tChapter 2: On Auditory Scale -- |tChapter 3: Dumb Holes And The Acoustic Horizon -- |tChapter 4: The Taxonomy Of A Meta-Theory -- |tChapter 5: Re-Hearing Icons Of Architecture I. -- |tChapter 6: Re-Hearing Icons Of Architecture II. -- |tChapter 7: Acoustic Futures -- |tChapter 8: "Like Quail Clucking . . ." -- |tPostlude -- |tBibliography -- |tPicture Credits 520 Architects are used to designing visually. In order to expand their basic design tools, this book explores the interactions between sound, space, hearing, and architecture. To this end, the author uses contemporary and historic buildings and projects, but also fictional, philosophical, and theoretical approaches - the idea is not only to define sound as a source, but also as an instrument of architectural space. By introducing a metatheory of "critical hearing", designers are able to acoustically test their projects and contribute to their design with auditive input, already at the design stage. 520 Architekten sind es gewohnt, visuell zu entwerfen. Um ihre Entwurfsgrundlagen zu erweitern, stellt dieses Buch die Zusammenhänge zwischen Klang, Raum, Hören und Architektur dar. Dafür nutzt der Autor zeitgenössische wie historische Bauten und Projekte, aber auch fiktionale, philosophische und theoretische Ansätze: schliesslich soll der Klang nicht nur als Quelle, sondern auch als Instrument des architektonischen Raums definiert werden. Durch die Einführung in eine Metatheorie des "kritischen Hörens" können die Entwerfenden ihre Projekte bereits in der Entwurfsphase akustisch prüfen und auditiv gestalten. 538 Mode of access: Internet via World Wide Web. 546 In English. 588 0 Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Okt 2017) 773 08 |iTitle is part of eBook package: |dDe Gruyter |tEBOOK PACKAGE Architecture and Design 2017 |z9783110547719 |oZDB-23-DAD 773 08 |iTitle is part of eBook package: |dDe Gruyter |tEBOOK PACKAGE COMPLETE 2017 |z9783110540550 |oZDB-23-DGG 776 0 |cbundle |z9783035613308 776 0 |cEPUB |z9783035613254 776 0 |cprint |z9783035613223