Complete works / Michele Pesenti ; edited by Anthony M. Cummings, Linda L. Carroll, and Alexander Dean.

Composer
Pesenti, Michele [Browse]
Uniform title
Format
Musical score
Language
  • Latin
  • Italian
Published/​Created
  • Middleton, Wisconsin : A-R Editions, Inc., [2019]
  • ©2019
Description
1 score (liii, 218 pages) + 5 parts ; 28 cm.

Details

Subject(s)
Editor
Library of Congress genre(s)
Series
Notes
  • Includes introduction and critical report.
  • The secular works can be performed by soprano and either an instrumental ensemble or a chordal instrument or by four voices (SATB).
  • The sacred works are for four voices (SATB).
  • Includes four vocal parts with frottolistic settings of most of the secular works and a part for soprano and lute for all of the works with lute intabulation.
Bibliographic references
Includes bibliographical references.
Language note
Italian and Latin words, also printed as texts with English translations.
Script
  • Staff notation;
  • Tablature.
Contents
  • Secular works. A Dio, signora, adio (oda [frottola baratelliana])
  • Ahimè, ch'io moro (oda [frottola baratelliana]). Version A, four-voice setting ; Version B, lute intabulation
  • Ardo e bruscio (frottola-proper)
  • Ben mille volte (capitolo)
  • Dal lecto me levava (frottola-caccia)
  • Dime un poco che vol dire (barzelletta)
  • Fuggir voglio el tuo bel volto (frottola-proper)
  • Inhospitas per alpes (Latin ode). Version A, four-voice setting ; Version B, lute intabulation
  • Integer vitae (Latin ode). Version A, four-voice setting ; Version B, lute intabulation
  • L'aqua vale al mio gran foco (frottola-proper)
  • Non mi doglio già d'amore (frottola-proper)
  • O Dio, che la brunetta mia (villotta [villottistic composition])
  • Passando per una rezolla (frottola with enjambment)
  • Poi che 'l ciel e la fortuna (frottola-proper). Version A, four-voice setting ; Version B, lute intabulation
  • Questa è mia, l'ho fatta mi (barzelletta)
  • Se in tutto hai destinato (oda [frottola baratelliana])
  • S'io son stato a ritornare (frottola-proper). Version A, four-voice setting ; Version B, lute intabulation
  • Sempre l'è come esser sole (frottola-proper)
  • Sì me piace el dolce foco (barzelletta)
  • Trista e noiosa sorte (oda [frottola baratelliana])
  • Tu te lamenti a torto (oda [frottola baratelliana])
  • Una legiadra donna (oda [frottola baratelliana])
  • Vieni ormai, non più tardare (frottola-proper)
  • Ahimè lasso, ahimè dolente (barzelletta). Version A, four-voice setting ; Version B, lute intabulation
  • Amor, poi che non poi (strambotto)
  • O bon, egli è bon (barzelletta [altered]). Version A, four-voice setting ; Version B, lute intabulation
  • 27. Sia felice la tua vita (oda [frottola baratelliana])
  • Deh, chi me sa dir novella (barzelletta [altered]). Version A, four-voice setting ; Version B, lute intabulation
  • Io son l'ocel che con le debil ali (strambotto distich)
  • Non è pensier che 'l mio secreto intenda (canzone). Version A, four-voice setting ; Version B, lute intabulation
  • Spenta m'hai del pecto amore (frottola-proper). Version A, four-voice setting ; Version B, lute intabulation
  • Io voria esser colù (barzelletta with popular refrain)
  • Che faràla, che diràla (barzelletta). Version A, four-voice setting ; Version B, lute intabulation ; Version C, keyboard intabulation
  • Quando lo pomo vien (villotta [villottistic composition]). Version A, frottolistic setting ; Version B, villottistic setting
  • So ben che lei non sa (villotta [villottistic composition]). Version A, frottolistic setting ; Version B, villottistic setting
  • Alma gentil (canzone).
  • Sacred works. Bonum est sperare
  • Manus Domini
  • Tulerunt Dominum meum.
ISBN
  • 9781987201390
  • 1987201396
OCLC
1098125892
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