Raymond Jonson and the spiritual in modernist and abstract painting / Herbert R. Hartel, Jr.

Author
Hartel, Herbert R., Jr [Browse]
Format
Book
Language
English
Published/​Created
  • New York ; London : Routledge, Taylor & Francis Group, [2018]
  • ©2018
Description
xiv, 182 pages, 40 unnumbered pages of plates : illustrations (some color) ; 27 cm

Availability

Copies in the Library

Location Call Number Status Location Service Notes
Marquand Library - Remote Storage (ReCAP): Marquand Library Use OnlyND237.J77 H37 2018 Browse related items Request

    Details

    Subject(s)
    Series
    Routledge research in art history [More in this series]
    Summary note
    This is the most thorough and detailed monograph on the artwork of Raymond Jonson ever published. He is one of many artists of the first half of the twentieth century who demonstrates the richness and diversity of an under-appreciated period in the history of American art. Visualizing the spiritual was one of the fundamental goals of early abstract painting in the years before and during World War I. Artists turned to alternative spirituality, the occult, and mysticism, believing that the pure use of line, shape, color, light, and texture could convey spiritual insights. Jonson was steadfastly dedicated to this goal for most of his career, and he always believed that modernist and abstract styles were the most effective and compelling means of achieving it.
    Bibliographic references
    Includes bibliographical references (pages 170-176) and index.
    ISBN
    • 113871254X ((hardcover))
    • 9781138712546 ((hardcover))
    OCLC
    1008875415
    Statement on language in description
    Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage. Read more...
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