Animals and animality in Primo Levi's work / Damiano Benvegnù.

Author
Benvegnù, Damiano [Browse]
Format
Book
Language
English
Published/​Created
  • Cham : Palgrave Macmillan, [2018]
  • ©2018
Description
xx, 298 pages ; 23 cm

Availability

Copies in the Library

Location Call Number Status Location Service Notes
Firestone Library - Stacks PQ4872.E8 B46 2018 Browse related items Request

    Details

    Subject(s)
    Series
    Summary note
    Situation at the intersection of animal studies and literary theory, this book explores the remarkable and subtly pervasive web of animal imagery, metaphors, and concepts in the work of Jewish-Italian writer, chemist, and Holocaust survivor Primo Levi (1919-1987). Relatively unexamined by scholars, the complex and extensive animal imagery Levi employed in his literary works offers new insights into the aesthetical and ethical function of testimony, as well as an original perspective on contemporary debates surrounding human-animal relationships and posthumanism. The three main sections that compose the book mirror Levi's approach to non-human animals and animality: from an unquestionable bio-ethical origin ("Suffering"); through an investigation of the relationships between writing, technology, and animality ("Techne"); to a creative intellectual project in which literary animals both counterbalance the inevitable suffering of all creatures, and suggest a transformative image of interspecific community ("Creation")
    Bibliographic references
    Includes bibliographical references (pages 275-292) and index.
    Contents
    • Introduction: Primo Levi and the question of the animal : Testimony, identification, literary animals
    • Animal studies and Italian literature
    • Suffering, techne, creation
    • Works cited. Suffering I: shared vulnerability : "Can they suffer?"
    • "Contro il dolore" and the debate on animal vivisection
    • Works cited. Suffering II: muteness and testimony : Useless violence, bare life, testimony
    • Belli's donkey and Hubinek's muteness
    • Works cited. Techne I: animal hands : From "Homo Faber" to "Techne"
    • The hand that writes: writing as "Techne" and the orangutan
    • Works cited. Techne II: hybrids and hubris : Science fiction and the monstrous work of zoomorphism
    • Centaurial literature, hybrid "Techne"
    • Works cited. Creation I: a new writing : Toward "uno scrivere nuovo"
    • Creation and re-creation: Genesis
    • Works cited. Creation II: re-enchantment : Invented animals and the work of testimony
    • Darwin, Job, and the re-enchantment of the world
    • Works cited. Conclusion: animal testimony : Works cited. Works cited. Index.
    ISBN
    • 9783319712574 ((hd. bd.))
    • 3319712578
    LCCN
    2018930018
    OCLC
    1046665945
    International Article Number
    • 9783319712574
    Statement on language in description
    Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage. Read more...
    Other views
    Staff view

    Supplementary Information