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020    3319616927 |q(hardback)
020    9783319616926 |q(hardback)
020     |z9783319616933 |q(eBook)
035    (GyWOH)har170493989
035    (NjP)10743909-princetondb
035     |z(NjP)Voyager10743909
035    (OCoLC)ocn988293516
040    YDX |beng |erda |cYDX |dIUL |dNYP |dOHX |dCNKUC |dOCLCF
050  4 ML2075 |b.A92 2017
082 04 781.5/42 |223
100 1  Audissino, Emilio, |eauthor. |0http://id.loc.gov/authorities/names/no2013087456
245 10 Film/music analysis : |ba film studies approach / |cEmilio Audissino.
264  1 Cham, Switzerland : |bPalgrave Macmillan, |c[2017]
264  4  |c©2017
300    xiii, 245 pages : |billustrations (some color), music ; |c22 cm.
336    text |btxt |2rdacontent
337    unmediated |bn |2rdamedia
338    volume |bnc |2rdacarrier
490 1  Palgrave studies in audio-visual culture
504    Includes bibliographical references, filmography (pages 231-235) and index.
505 0  Introduction: who is entitled to study film music? -- Part I. Pars destruens. The not-so-fantastical gap between music studies and film studies -- Recent attempts to bridge the gap and overcome a separatist conception -- Part II. Pars construens.
650  0 Motion picture music. |0http://id.loc.gov/authorities/subjects/sh85088056
650  0 Motion picture music |xPsychological aspects.
830  0 Palgrave studies in audio-visual culture
902    dws |bm |6a |7m |dv |f1 |e20180703
904    vendor |bo |hm |cb |e20180322
914    (OCoLC)ocn988293516 |bOCoLC |cmatch |d20240501 |eprocessed |f988293516