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Antebellum American pendant paintings : new ways of looking / Wendy N.E. Ikemoto.
Author
Ikemoto, Wendy N. E.
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Format
Book
Language
English
Published/Created
London ; New York : Routledge/Taylor & Francis Group, 2018.
Description
xiv, 191 pages, 8 unnumbered pages of plates : illustrations (some color), facsimiles, plans, portraits ; 26 cm.
Availability
Available Online
Taylor & Francis eBooks Complete
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Location
Call Number
Status
Location Service
Notes
Marquand Library - Remote Storage: Marquand Use Only
ND210 .I45 2018
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Details
Subject(s)
Painting, American
—
19th century
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Series
Routledge research in art history
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Summary note
This is the first sustained study of pendant paintings: discrete images designed as a pair. It opens with a broad overview that anchors the form in the medieval diptych, religious history, and aesthetic theory and explores its cultural and historical resonance in the 19th-century United States. Three case studies examine how antebellum American artists used the pendant format in ways revelatory of their historical moment and the aesthetic and cultural developments in which they partook. The case studies on John Quidor's Rip Van Winkle and His Companions at the Inn Door of Nicholas Vedder (1839) and The Return of Rip Van Winkle (1849) and Thomas Cole's Departure and Return (1837) shed new light on canonical antebellum American artists and their practices. The chapter on Titian Ramsay Peale's Kilauea by Day and Kilauea by Night (1842) presents new material that pushes the geographical boundaries of American art studies toward the Pacific Rim. The book contributes to American art history the study of a characteristic but as yet overlooked format and models for the discipline a new and productive framework of analysis focused on the fundamental yet complex way images work back and forth with one another.
Notes
Originally presented as the author's thesis (Ph.D.)--Harvard University.
Bibliographic references
Includes bibliographical references (pages 173-184) and index.
Contents
Introduction: opening the space between: antebellum American pendant paintings
Putting the "rip" in Rip Van Winkle: historical absence in John Quidor's pendant paintings
Taking a contemplative look: visual devotion in Thomas Cole's The Departure and The Return
The missing Pacific: the expeditionary blank in Titian Ramsay Peale's Kilauea landscapes
Epilogue: after the antebellum: pendants during the Civil War and postbellum era.
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ISBN
9781472475589 (hardback)
1472475585 (hardback)
OCLC
975371148
Statement on language in description
Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
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Antebellum American Pendant Paintings : New Ways of Looking / Wendy N.E. Ikemoto.
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99123906773506421