Details

Subject(s)

• Visual poetry, Argentine—20th century—Periodicals [Browse]
• Concrete poetry, Argentine—20th century—Periodicals [Browse]
• Experimental poetry, Argentine—20th century—Periodicals [Browse]
• Artists' books—Argentina—20th century [Browse]

Publisher

• Vigo, Edgardo Antonio, 1928-1997 [Browse]

Getty AAT genre

• Visual poetry—Argentina—20th century [Browse]
• Mail art—Argentina—20th century [Browse]
• Cut-paper work—Argentina—20th century [Browse]
• Stamps (marks)—Argentina—20th century [Browse]
• Copy art (reprographic art)—Argentina—20th century [Browse]

Numbering peculiarities

Most issues undated. Issues are designated: a, ab, ac (undated; published in 1971); bc, bd, be (undated; published in 1972); cd, ce, cf (undated; cd and ce published in 1973; cf published in late 1973 or early 1974); de, df, dg (1974); e (1975). See table of dates in: Bugone, A. La revista Hexágono (1971-1975), pages 139-147.

Frequency

Three times a year

Summary note

Issues are comprised of a variety of printed paper leaves which include graphic art and visual poetry. Some components with printed or stamped card attached with strings; some with ink stamps and/or cut-paper work.

Notes

First nine issues in printed envelopes 28 x 26 cm; issues de, df, and dg in printed paper folders, 29 x 26 cm. Final issue in folded paper portfolio, 29 x 27 cm; card affixed to front is stamped in ink with image of manicule and motto: Arte de y para investigación. Some envelopes and folders embellished with cut-paper work and/or ink stamps; some with printed cards attached with strings.

Source of description

• Description based on: A; title from issue envelope.
• Latest issue consulted: E.

References

Centro de Arte Experimental Vigo blog, viewed October 11, 2016, Hexágono '71 page

Other title(s)

• Hexagono setenta y uno
• Arte de y para investigación issue e

Issues cd, ce, and cf have title

• Hex 71

OCLC

316249579

Statement on language in description

Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage. Read more...