LEADER 03528cam a2200481Ki 4500001 99101456683506421 005 20201008134742.0 006 m o d 007 cr mn |||||a|a 008 170131s2017 nyu ob 001 0 eng d 019 971229424971341610971538971971593800971947075972138773972159533 020 9781782049173 |q(electronic bk.) 020 1782049177 |q(electronic bk.) 020 |z9781571139733 020 |z1571139737 035 |9(JSTORDDA)970693751 035 (OCoLC)ocn970693751 |z(OCoLC)ocn971229424 |z(OCoLC)ocn971341610 |z(OCoLC)ocn971538971 |z(OCoLC)ocn971593800 |z(OCoLC)ocn971947075 |z(OCoLC)ocn972138773 |z(OCoLC)ocn972159533 035 (NjP)10145668-princetondb 035 |z(OCoLC)971229424 |z(OCoLC)971341610 |z(OCoLC)971538971 |z(OCoLC)971593800 |z(OCoLC)971947075 |z(OCoLC)972138773 |z(OCoLC)972159533 035 |z(NjP)Voyager10145668 035 |z(NjP)Voyager10145668 037 22573/ctt1kxwhz8 |bJSTOR 040 N$T |beng |erda |epn |cN$T |dYDX |dOCLCQ |dJSTOR |dCSAIL |dIDEBK 050 4 ML3849 |b.Z57 2017eb 082 04 780/.08 |223 090 Electronic Resource 100 1 Ziolkowski, Theodore, |eauthor. |0http://id.loc.gov/authorities/names/n79126519 245 10 Music into fiction : |bcomposers writing, compositions imitated / |cTheodore Ziolkowski. 264 1 Rochester, New York : |bCamden House, |c2017. 300 1 online resource. 336 text |btxt |2rdacontent 337 computer |bc |2rdamedia 338 online resource |bcr |2rdacarrier 490 0 Studies in German Literature, Linguistics, and Culture 520 "This book deals with three aspects that have been neglected in the burgeoning field of music and literature. The "First Movement" of the book considers writers from German Romanticism to the present who, like Robert Schumann, first saw themselves as writers before they turned to composition, or, like E.T.A. Hoffmann and Anthony Burgess, sought careers in music before becoming writers. It also considers the few operatic composers, such as Richard Wagner and Arnold Schoenberg, who wrote their own libretti. The "Second Movement" turns to literary works based specifically on musical compositions. This group includes, first and more generally, prose works whose author chose a specific musical form such as sonata or fugue as an organizational model. And second, it includes novels based structurally or thematically on specific compositions, such as Bach's Goldberg Variations. The "Finale" concludes with a unique case: efforts by modern composers to render musically the compositions described in detail by Thomas Mann in his novel Doktor Faustus. This book, which addresses itself to readers interested generally in music and literature and is written in a reader-friendly style, draws attention to unexplored dimensions of the music-literature relationship and to the sometimes unrecognized talents of certain writers and composers."-- |cProvided by publisher. 504 Includes bibliographical references and index. 588 0 Print version record. 599 Princeton permanent acquisition. 650 0 Music and literature. |0http://id.loc.gov/authorities/subjects/sh85088886 650 0 Musicians as authors. |0http://id.loc.gov/authorities/subjects/sh85089043 650 7 Music and literature. |2fast |0(OCoLC)fst01030479 650 7 Musicians as authors. |2fast |0(OCoLC)fst01030878 776 08 |iPrint version:Ziolkowski, Theodore. |tMusic into fiction. |dRochester, New York : Camden House, 2017 |z9781571139733 |w(DLC) 2016047441 |w(OCoLC)956688605 902 jwl |bz |6a |7m |dw |f0 |e20170306 910 JSTOR DDA purchased