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This is tomorrow.
Author
Whitechapel Art Gallery
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Format
Book
Language
English
Published/Created
London : Whitechapel Art Gallery, [1956]
Description
approximately 250 pages : illustrations ; 17 cm
Availability
Copies in the Library
Location
Call Number
Status
Location Service
Notes
Marquand Library - Rare Books
N6488.G7 L692
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Details
Subject(s)
Art, Modern
—
20th century
—
Exhibitions
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Library of Congress genre(s)
Exhibition catalogs
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Rare books genre
Spiral bindings (Binding).
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Getty AAT genre
Spiral bindings
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Exhibition catalogs
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exhibition catalogs
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Summary note
During the years from 1955 to 1964, what we now know as Pop Art was being defined by a group of artists, art galleries, and critics. Interestingly, this most All-American of art movements had its beginnings in England, with a group of artists, architects, and art critics that were exploring the themes of mass media, advertising, and design. While the artists whose names would eventually be tied to the Pop movement were working and showing separately during the late 1950s, it was in the early 1960s that gallerists and museums began linking these artists together. In the beginning, there wasn't even an agreed upon label to apply to the art--Neo-Dada or New Realists were just as likely to be used as Pop. However, common themes clearly indicated that a movement was afoot--a movement that initially was alternately championed and vilified. -- 1964 was the breakout year for what was now universally referred to as Pop Art. The United States Pavilion at the 32nd Venice biennial featured artists tied to the Pop scene. It created a sensation, with critics denouncing it as vulgar and childish. Despite the furor, Robert Rauschenberg was awarded the exhibition's top prize for painting. From that moment, this group of young American artists stepped to the front of the artistic world stage. The themes and imagery associated with Pop Art would become part of the daily vocabulary of the 1960s, influencing the "look" of an entire generation. This exhibition included what is now commonly referred to as the first Pop image, Richard Hamilton's collage on modern life, Just what is it that makes today's homes so different, so appealing?
Notes
Exhibition, Aug. 9-Sept. 9, 1956.
Issued in folding case.
LCCN
77358544
OCLC
3203276
Statement on language in description
Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
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