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Readings in music and artificial intelligence / edited by Eduardo Reck Miranda.
Format
Book
Language
English
Published/Created
Amsterdam : Harwood Academic, c2000.
Description
x, 294 p. : ill. ; 24 cm.
Availability
Copies in the Library
Location
Call Number
Status
Location Service
Notes
ReCAP - Remote Storage
ML74 .R35 2000
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Details
Subject(s)
Artificial intelligence
—
Musical applications
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Music
—
Data processing
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Editor
Miranda, Eduardo Reck, 1963-
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Series
Contemporary music studies ; v. 20.
[More in this series]
Contemporary music studies, 0891-5415 ; v. 20
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Bibliographic references
Includes bibliographical references and index.
Contents
Regarding music, machines, intelligence and the brain, an introduction to music and AI / Eduardo Reck Miranda
Music, intelligence and artificiality / Alan Marsden
Musical knowledge, what can artificial intelligence bring to the musician? / Geraint Wiggins, Alan Smaill
Symbolic AI versus connectionism in music research / Petri Toiviainen
On the potential of machine learning for music research / Gerhard Widmer
Computer analysis of jazz chord sequences, is Solar a blues? / François Pachet
Musical pattern extraction and similarity assessment / Pierre-Yves Rolland, Jean-Gabriel Ganascia
Interactive music systems in ensemble performance / Robert Rowe
Artificial intelligence architectures for composition and performance environments / Antonio Camurri
Dynamic programming for interactive music systems / Roger Dannenberg
The mechanization of intelligence and the human aspects of music / Carlos Gustavo Guerra
Artificial intelligence and music education / Brian Smith
Artificial intelligence in music education, a critical review / Simon Holland.
Show 10 more Contents items
ISBN
9057550946
OCLC
41620275
Statement on language in description
Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
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Readings in music and artificial intelligence / edited by Eduardo Reck Miranda.
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