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Princeton University Library Catalog
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Vedo il ciel : Händel arias.
Composer
Handel, George Frideric, 1685-1759
[Browse]
Uniform title
Operas.
Selections
[Browse]
Format
Audio
Language
Italian
English
Published/Created
[Place of publication not identified] : Universal Classics, [20--?]
Description
1 online resource (1 sound file)
Availability
Available Online
Naxos music library
Details
Subject(s)
Oratorios
—
Excerpts
[Browse]
Overtures
[Browse]
Operas
—
Excerpts
[Browse]
Singer
Vierlinger, Lydia
[Browse]
Conductor
Zwicker, Jörg, 1969-
[Browse]
Performer
Capella Leopoldina
[Browse]
Library of Congress genre(s)
Excerpts
[Browse]
Series
Naxos Music Library.
[More in this series]
Contains
Handel, George Frideric, 1685-1759.
Resurrezione.
Selections.
[Browse]
Handel, George Frideric, 1685-1759.
Hercules.
Ouverture
[Browse]
Handel, George Frideric, 1685-1759.
Samson.
Selections
[Browse]
Handel, George Frideric, 1685-1759.
Jephtha.
Ouverture
[Browse]
Handel, George Frideric, 1685-1759.
Messiah.
Selections
[Browse]
Participant(s)/Performer(s)
Lydia Vierlinger, alto ; Capella Leopoldina ; Jörg Zwicker, conductor.
Language note
Sung in Italian and English.
Contents
Oratorio per la Resurrezione di Nostro Signor Gesu, HWV 47. Vedo il ciel ; Piangete, si, piangete ; Naufragando va per l'onde ; Augelletti, ruscelletti
Hercules, HWV 60. Overture
Samson, HWV 57. Oh mirror of our fickle state ; Return, O God of hosts! ; With might endued above the sons of men/The Holy one of Israel by thy guide
Jephtha, HWV 70. Overture
Messiah, HWV 56. He was despised and rejected of men ; O thou that tellest good tidings to Zion ; But who may abide the day of His coming.
Show 2 more Contents items
Other title(s)
Händel arias
Publisher no.
00028947630005
OCLC
960853845
International Standard Recording Code
ATA010400099
ATA010400098
ATA010400096
ATA010400097
ATA010400094
ATA010400103
ATA010400104
ATA010400105
ATA010400095
ATA010400102
ATA010400100
ATA010400101
Statement on language in description
Princeton University Library aims to describe library materials in a manner that is respectful to the individuals and communities who create, use, and are represented in the collections we manage.
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